Palace Imorgen is Tal R at his most minimal. His rough-crafted geometric portal to a kingdom is comically absurd, but only because he’s mastered a visual alchemy. He disturbs space with opposing forces of colour perspective. Blue advances and black recedes, Tal R’s tunnel seems to define itself in neither one place nor the other, but instead fits into a dimension of its own.
2004
Oil, paper collage on canvas
200 x 200 cm
